20 Best Pakistani Ghazal Singers of All Time
Ghazal is a prevalent sort of both music and verse in Pakistan. We present 20 adaptable Pakistani ghazal vocalists who have had accomplishment with this wonderful structure.
hazal, a type of verse, has a one of a kind spot in the realm of music. Pakistani ghazal vocalists have effectively shipped this lovely type crosswise over Pakistan and around the globe.
With their unmistakable voices and unpretentious tones, the lovely refrains communicated by these brilliant artists contact the spirit.
Fans observe ghazals to comfort on numerous levels – be it sincerely or impractically.
Pakistan has delivered probably the best ghazal vocalists of their time. The Late Mehdi Hassan is positively outstanding amongst other ghazal jewels Pakistan has lost.
Artists regularly perform ghazals in mehfils (social affairs) and mushairas (nighttimes of verse). Other than Urdu, ghazals in local dialects are likewise prevalent.
Ghazal music likewise highlights and stays prevalent in South Asian movies.
Music shows like Coke Studio and Nescafe Basement regularly grandstand versions of well-known ghazal melodies with a contemporary contort. Advancing this type through such TV projects has additionally pulled in the adolescent.
Here are 20 well known Pakistani ghazal artists who do finish equity to this music type:
Malika Pukhraj was a profoundly fruitful society and ghazal vocalist.
When she was nine, she visited Jammu, performing before Maharaja Hari Singh. Discovering her voice amazing, Singh made Malika a court artist in his kingdom.
She wound up one of the most famous ghazal vocalists of 1940s British India. Following the segment, she moved to Pakistan. She performed as often as possible for Radio Pakistan, gaining much achievement.
Notwithstanding moving to Pakistan, India did not overlook her. Upon welcome, Malika performed at the All India Golden Jubilee festivities in 1977, alongside gathering the ‘Legend of Voice’ grant.
She is well known for her interpretation ‘Abhi Tou Mai Jawan Hoon’ by famous Pakistani writer Hafeez Jalandhari. Recognizing her administrations, the Government of Pakistan gave her the Pride of Performance Award in 1980.
Her pitiful destruction in Lahore on February 4, 2004, was a major misfortune for Pakistani ghazal music. Her life is recorded in the journal she composed, Song Sung True (2003).
Ustad Amanat Ali Khan
Ustad Amanat Ali Khan, a mainstream name over the ghazal type, was conceived in 1922 Hoshiarpur, India. He was the grandson of the Patiala Gharana originator, Ali Baksh Jarnail.
Mainstream artists Asad Amanat Ali Khan and Shafqat Amanat Ali Khan are his children.
He earned acknowledgment through his exhibitions at Radio Pakistan. He likewise visited South Asia speaking to his Patiala Gharana.
A portion of his best Ghazal incorporate ‘Insha Ji Utho’ and “Honto Pe Kabhi.’ A YouTube client remarking about the ghazal ‘Insha Ji Utho’ on the internet based life stage composed:
“It’s my most loved throughout the previous forty years. I used to hear it out through radio Pakistan… those were my College day.”
Amanat Saab had a short life as he met passing on September 18, 1974.
Noor Jehan, one of Pakistan’s most famous artists, was conceived as Allah Wasai in Kasur, Punjab, Pakistan on September 21, 1926.
She is natural around the globe as ‘Malika-E-Tarannum’ (The Queen of Melody).
At first an entertainer, she began her Pakistani playback singing vocation in 1960. Jehan had direction more than a few music types, including the ghazal.
Her hit ghazals incorporate ‘Chandni Raatein’ (Dopatta: 1952), ‘Ja Apni Hasraton Par’ (Sasural: 1962) and ‘Humari Saanson Main’ (Meray Huzoor: 1977).
A mainstream name the world over and a beneficiary of a few honors, she has performed at various global scenes.
She unfortunately passed away in Karachi on December 23, 2000, leaving a gigantic misfortune for the two India and Pakistan.
The late Mehdi Hassan was a well known name in Pakistani ghazal music. Conceived on July 18, 1927, Mehdi is natural to numerous as ‘Shahanshah-E-Ghazal’ (King of Ghazal).
A prevalent playback vocalist for Lollywood, he is acclaimed for acquainting ghazal music with a worldwide group of spectators.
In 1957, Mehdi got the opportunity to sing on Radio Pakistan as a thumri vocalist. He started trying different things with ghazals, picking up him ubiquity in this classification.
He sang the ghazal ‘Gulon Mein Rang Bharay, Baad-e-Naubahar Chale’ for the Pakistani film Farangi (1964), initially composed by well known Pakistani artist Faiz Ahmed Faiz.
Faiz was so dazzled with Hassan’s form that he quit showing it at his mushairas. He rather requested that the group of spectators demand Hassan to sing the tune.
Sadly, in the late 1980s, his music profession stopped as he was experiencing a serious sickness. He inhaled his toward the end in Karachi on June 13, 2012.
Asif Noorani composed his life story titled Mehdi Hasan: The Man and his Music (2010). Depicting his melodic ability, columnist Raza Rumi writes in a piece for The Hindu”
“Hassan demonstrated to be a melodic Midas.”
“Whatever he contacted diverted to gold — from the verse of well known Urdu writers to sentimental film numbers.”
The Times of India gave Pakistani vocalist Farida Khanum the title, ‘Ruler of Ghazal.’
Notwithstanding ghazals, Khanum is an ace in traditional music too. Farida took in traditional from Ustad Ashiq Ali Khan who hailed from the Patiala Gharana of music.
She earned standard accomplishment in 1950 when she joined Radio Pakistan, drawing in the consideration of her audience members.
She is acclaimed for playing out the famous ghazal, ‘Aaj Jaane Ki Zid Na Karo,’ by artist Fayyaz Hashmi. Farida made her Coke Studio debut in 2015 (Season 8) with this hit ghazal.
Because of her profound voice, Farida had fans in Pakistan, yet additionally crosswise over India and Afghanistan. Farida has a few awards in her possession including the Hilal-e-Imtiaz (2005).
Bright Benjamin John (SB John) is a prominent Pakistani ghazal vocalist who was conceived during 1934 in Karachi. John’s granddad, additionally a vocalist, was his motivation when growing up.
Pandit Ram Chandar Trivedi was his underlying music educator. He started his music profession from Radio Pakistan and after that moved onto Pakistan Television Corporation (PTV).
Recording mainstream ghazals in his voice, he rapidly rose to popularity.
John is best known for his ghazal ‘Tu Jo Nahin’ which he sang for the Pakistani film Savera (1959). Ace Manzoor Hussain was the writer of the tune, with the verses written by famous artist Fayyaz Hashmi.
He was given the Pride of Performance Award by the Government of Pakistan on August 14, 2010.
John is getting a charge out of retirement in Karachi. His commitments to ghazal music can’t be overlooked.
Iqbal Bano is among Pakistan’s most basically and economically acclaimed ghazal vocalists.
She contemplated under Ustad Chand Khan of the Delhi Gharana. In this way in the wake of experiencing preparing, her entrance into music started.
She sang the first run through for All India Radio. She moved to Pakistan during parcel and earned a name for herself. Bano sang in prevalent Pakistani movies like Gumnaam (1954) and Qaatil (1955).
Bano played out her first show at the Lahore Arts Council in 1957. She was well known for singing the ballads of progressive Pakistani artist Faiz Ahmed Faiz.
Bano’s hit ghazals incorporate ‘Daagh E Dil Hum Ko Yaad’ (1977) and ‘Woh Iss Adda Se Jo Aye’ (1999).
Such was her flexibility, that she could sing in Urdu, Punjabi and Persian. She was granted the Pride of Performance by the Government of Pakistan in 1974.
Bano passed away in Lahore on April 21, 2009.
Conceived December 5, 1940, Ustad Ghulam Ali is a well known Pakistani ghazal artist. He originates from the Patiala Gharana of music.
He is well known for mixing the interesting style of Hindustani old style music with ghazals, winning him a major fan base around the world.
‘Chamakte Chand Ko’ (Awaargi: 1987), ‘Hungama Hai Kyun’ (Awaargi: 1990) and ‘Murmur Tere Sheher Main’ (1996), are among a portion of his most well known ghazals.
He began his singing profession during the 1960s with Radio Pakistan, performing ghazals. An advantage for Pakistan, he has sung ghazals in different dialects including Urdu, Punjabi, Hindi and Nepali.
He is the principal beneficiary to get the Swaralaya Global Legendary Award. Remarking on accepting the honor, he stated:
“I have been singing for around 55 years. I have at no other time seen or experienced such love for my music.”
“This day is significant for me. I am only a little league vocalist. I am not a major artiste.”
Hailing from Charsadda from the Khyber Pakhtunkhwa (KPK) territory in Pakistan, Ikramullah Gran is a famous name in Pashto ghazals.
Conceived in 1941, Ikramullah is the pioneer of contemporary Pashto ghazal.
As an author, his ghazals have been secured by numerous famous Pashto artists like Haroon Bacha and Gul Panra.
‘Che De Khwala Pa Anangi’ and ‘Zama Da Zra Pa Kor’ are among his best Pashto ghazals.
A basic piece of Pashto ghazals, Ikramullah passed on in 2014. Hamesh Khalil, a Pashto researcher talking about Ikramullah revealed to The Express Tribune:
“His work will consistently be the pride of Pashto verse and ghazals.”
Conceived in Delhi on April 17, 1942, Aziz Mian was a famous Pakistani Qawwal and an artist of ghazal music. He started learning qawwali at ten years old under Ustad Abdul Wahid Khan.
Aziz Saab was well known for composing his very own verses. However, he likewise put his voice to crafted by different specialists too. Aziz was interesting in light of the fact that he sang ghazals in a qawwali style.
In 1966, he got a gold decoration subsequent to performing before Mohammed Raza Pahlavi, the Shah of Iran.
Prominent ghazals of Aziz Mian incorporate ‘Kabhi Na Kaha’ (Rang-e-Zindagi: 1978) and ‘Teri Soorat’ (1990).
He had the pleasure to get the Pride of Performance Award from the Government of Pakistan in 1989.
His passing in Tehran on December 6, 2000, was a miserable day for ghazal-qawwali music cherishing fans.
Feroz Gul was a well known Sindhi ghazal vocalist conceived on June 16, 1943. He had likewise made for in excess of forty Sindhi films.
His formed melodies have been sung by Abida Parveen and Mehdi Hassan (late). He had a major turn in presenting the absolute best melodic gifts to the film business.
‘Toon Acheen Ne Jaan E Jaan’ and ‘Mehfil Haseen Tuhunjee’ are among Gul’s best-known works.
A client on YouTube composing a remark about ‘Mehfil Haseen Tuhunjee’ stated: “wah, Great Ustad Feroz Gul.”
At the moderately youthful age of 53, Gul passed away on October 14, 1996.
He was after death granted the Tamgha-E-Imtiaz, Pakistan’s most elevated regular citizen grant in 2011.
Nusrat Fateh Ali Khan
Conceived in Faisalabad on October 13, 1948, late Ustad Nusrat Fateh Ali Khan was a famous artist and performer of Pakistan. He is prevalently natural as ‘Shahanshah-E-Qawaali’ (The Emperor of Qawaali).
His melodies include in Lollywood, Bollywood and Hollywood. He has fans in each edge of the world.
Nusrat Fateh Ali Khan wound up acclaimed for advancing Pakistani music on a global scale.
‘Simple Rashkekamar’ (1988) and ‘Halka Suroor’ (1991) are among his mainstream works. There are a few spreads and remix variants to his ghazals.
He is a beneficiary of numerous honors in Pakistan and universally. His demise on August 16, 1997, was a misfortune for Pakistan, however for the whole world.
Music commentator Chris Nickson says:
“There was enchantment when he opened his mouth, a feeling of heavenly rapture that was energizing and enthusiastic.”
“It wasn’t phenomenal notwithstanding for Western audience members, who didn’t comprehend a word he was singing or pursue his Sufi conventions, to be moved to tears after hearing him.”
Conceived in Karachi 1950, Mehnaz Begum was a famous Pakistani ghazal vocalist.
Mehnaz who was the little girl of well known vocalist Kajjan Begum acquired her mom’s amazing melodic qualities. She started her vocation at Radio Pakistan before making a beeline for PTV.
‘Kaise Khwab’ and ‘Kisi Ki Yaad Ko Dil’ are among her famous ghazals.
Aside from ghazals, she sang in a wide range of classifications, for example, thumri, drupad and khayal. She was additionally a playback vocalist for some top Pakistani movies.
She is the beneficiary of thirteen Nigar Awards and won ‘Lifetime Achievement’ at the 2011 Lux Style Awards.
Mehnaz passed on in Manama, Bahrain on January 19, 2013.
Well known ghazal vocalist Nayyara Noor was conceived in Guwahati, Assam, India on November 3, 1950.
She moved to Pakistan with her family in the late fifties. Since early on, Nayyara discovered motivation from the ghazals of Begum Akhtar.
In spite of having no formal preparing, Nayyara was found when she was singing for her companions and educators during a yearly supper at the National College of Arts (NCA) Lahore.
Noor was then approached to sing for Radio Pakistan and later on moved to TV and film.
Her version of ‘Ae Jazba-e-Dil Gar Main Chahoon’ by writer Behzad Lakhnavi (1900-1974) stays mainstream among her fans.
Other hit non-filmi ghazals of hers incorporate ‘Rang Barsaat Nay Bharay Kuchh Tou’ (writer: Nasir Kazmi) and ‘Barkha Barsay Chhat Per, Mein Teray Sapnay Deikhuun’ (artist: Faiz Ahmed Faiz).
Nayyara is the beneficiary of numerous honors including three decorations from the All Pakistan Music Conference.
One of the most unmistakable names in ghazal music, Tina Sani is a vocal powerhouse. She was conceived in Dhaka, East Pakistan (Bangladesh).
After quickly remaining in Kabul, Afghanistan, Tina’s changeless home progressed toward becoming Karachi.
Tina’s dad who had figured out how to play the sitar urged her to learn music.
Ustad Nizam Uddin of the Delhi Gharana prepared her in traditional music. Sani was likewise prepared by Mehdi Hasan, the King of Ghazal.
She got found in 1980 when she sang during a music show ‘Tarang’ on PTV. Sani refers to numerous famous ghazal artists, for example, Mehdi Hassan and Malika Pukhraj as her motivations.
She is celebrated for her ghazal interpretations of numerous prominent Pakistani artists.
‘Anokha Ladla’ (1985), ‘Koi Baat Karo’ (1989) and ‘Mori Arj Suno’ (1990) are among a portion of her most famous works.
Viewed as the Queen of Sufi music, Abida Parveen is a living legend. Conceived on February 20, 1954, Parveen began singing at the early age of three.
Her dad Ustad Ghulam Haider found a reverential music school in Larkana, Pakistan. She was brought up in a similar spot.
Her late spouse Sheik Ghulam Ali resigned from his activity as a maker for Radio Pakistan and began dealing with her music profession during the 1980s.
Following the demise of Abida’s better half in the mid 2000s, her little girl Maryam started dealing with her.
She is a flexible craftsman and can sing various types of music including Sufi music and ghazal music. A portion of her most well known ghazals incorporate ‘Rang Baatein Karen’ (TV Hits: 1985) and ‘Jado Ishq Laga’ (TV Hits: 1985).
Madhumita Dutta in her book Let’s Know Music and Musical Instruments of India (2008) states:
“After the demise of Nusrat Fateh Ali Khan, many think of her as the following extraordinary spiritualist artist on the world stage.”
Asad Amanat Ali Khan
Conceived in Lahore on September 25, 1955, Asad Amanat Ali Khan was a famous Pakistani ghazal vocalist. Being the child of Ustad Amanat Ali Khan, he got introduction to music at an early age.
He recorded his first melody when he was ten years of age for his granddad Akhtar Hussain’s introduction collection.
‘Zara Dil Main Dard Hua’ and ‘Jo Bhi Dil Ki ‘are among his hit ghazals. He was likewise a playback vocalist for the Bollywood film, Meet Mere Man Ke (1991).
Khan had work with Pakistan Television (PTV) for quite a long while, which added to his fame. His more youthful sibling Shafqat Amanat Ali Khan is likewise a mainstream Pakistani vocalist.
His demise in London on April 8, 2007, left a void in ghazal music.
Munni Begum, a prevalent name crosswise over ghazal music was conceived in Kushtiya, West Bengal, India on June 20, 1955.
After at first moving to East Pakistan, she came to Pakistan following the 1971 Bangladesh Liberation War.
Ustad Khwaja Ghulam Mustafa Warsi, a prevalent artist was her coach.
Her music profession began in 1970. She discharged her introduction collection, which highlighted a gathering of ghazals.
‘Dil Ko Hale Karar Mein Dekha’ and ‘Bhoolne Wale Se Koi Kehde’ are among her most renowned ghazals.
She was given the Pride of Performance Award by the Government of Pakistan in 2008.
Begum is often welcome to sessions on ghazals and shows alluded to as Sham-E (ghazal night). She keeps on dazzling the spectators with her ground-breaking voice.
Khalil Haider, a persuasive name crosswise over ghazal music was conceived in Lakhanwal, Punjab, Pakistan on May 4, 1965.
Following the finish of his essential investigations, he moved to Lahore. He learnt traditional music under Ustad Sadiq Husain.
He earned acknowledgment during the 1990s when he did an interpretation of the ghazal, ‘Nai Kapre Pehen Kar Jaon Kahan’ by artist Nasir Kazmi.
“Gali Meri Yaad (2010) and ‘Aah Tou Jate Hain’ (2010) are a portion of his fruitful ghazals.
Haider has showed up on Pakistan TV, performing ghazals. He has additionally had some important exhibitions when visiting the US, UK and Canada.
He has discharged various monetarily and fundamentally effective collections including Gila (1992) and Preet and Ghazal (2010).
Asif Mehdi is a popular Pakistani ghazal vocalist who was conceived in 1966. He is the child of prestigious late ghazal vocalist Mehdi Hassan.
His dad and uncle Ghulam Qadir started preparing him from the age of thirteen. At seventeen years old, going with his dad he performed without precedent for Los Angeles, USA.
He went to India in 2009 for the show visit named Music for Peace, performing close by the late Jagjit Singh.
He primarlily sings ghazals of writers, for example, Mir Taqi Mir, Ahmed Faraz and Hafeez Jalandhari.
Mehdi got the Nigar Award in 1999 for playback singing. He has sung for more than sixty Pakistani movies. The wonderful Mehdi lives in Karachi, Pakistan.
Hamid Ali Khan and Tahira Syed, daugter of Malika Pukhraj are other huge Pakistani ghazal artists.
In spite of the nearness of western and contemporary melodic kinds in Pakistan, ghazal stays prominent in the nation.
What’s to come is brilliant, with a few youthful ghazal craftsmen rising and becoming well known.